From the future with love - short film

Instagram: parandiverse https://www.facebook.com/FromTheFutureWithLove A movie Written and Directed by K-MICHEL PARANDI Produced by James Lawler Productions Producers: James Lawler & K-Michel Parandi Executive Producer: Virgil Price / Co-Executive Producer: Lauren Beck Original concept: K-Michel Parandi Production Design & Concept Artist: Ben Mauro - Design art work: K-Michel Parandi & Ben Mauro - Costume Production Design: Julien Richard Dialogue: K-Michel Parandi & Jack Coulton Music and Sound Design: Pascal Bonifay (AOC/BOC) First Assistant Director: Etan Harwayne-Gidansky Second Assistant Director: Ramde Serolf Assistant Producer: Paul Jarret Unit Production Manager: Adam Benlifer Production Coordinator: Dann Ramirez Director's Assistant: Louis Papaloizou Director Of Photography: Ray Flynn Cast: Max Kaminsky NYPC: Justin Campbell - Parker: NYPC Chris Beetem - Bodyjacker: Nathan Owen - Young NYPC cop: Tommy Walker - NYPC hungry cop: Mike Falcon / Waitress: Kim Allen - Rami: Roberto Lopez Thief: Louis Paploizou - MPF Narc: Toby Wilson Camera Operators: K-Michel Parandi & Ray Flynn First Assistant Camera: Violetta D'Agata Second Assistant Camera: Christopher Bye DIT: Drew Ravani & Stephen Dirkes Aerial Photography: Marcin Nadolni & Toby Wilson Steadicam: Amar Ioudarene Editing Assistants: Max Smith & Tom Klane Sound Design: Pascal Bonifay & Fabrice Smadja Audio: AOC/BOC (M. Letaconnoux - S. Weinberg - L. Jokiel - B Mora - M. Singer) Voice Talents: Kate Clark - Billy-Bob Thompson- Roberto Serrini - Kim Bonifay - Mia Bonifay Storyboard: Andrew Wendel Art Dept: Nick Tong - Brian Rzepka - Nola Denett - Nicole Eure Wardrobe: Marina Lelchuk VFX by Hectic Electric Amsterdam VFX Producers: Mark Kubbinga & Patty Veestra VFX Supervisor: Robbert Lubken Post Production Services by Moon Dog Edit - New York, in Association with Violet Creative Colorist: Blasé Theodore Gaffer: Raina Oberlin Best Boy Electric: Matt Kessler Second Electric: Noah Chamis Third Electric: Brendon Swift Forth Electric: Albert Phaneuf Driver / Swing: Rebekka Bjornosdottir G&E Intern: Deanna Covello - Jack Buckley Key Grip: Stratton Bailey Best Boy Grip: Will Gottlieb Third Grip: Adam Barbay Forth Grip: Matt Garland Rig Gaffer: David Duktus Sound Department: Brian Flood - Oliver Rush Stunt Coordinator: Roberto Lopez Stunts: Luciano Acuna - Kenny Wong Associate Producer: Ray Flynn Production Assistants: Anthony Salvatori - Curtis Yarlborough - Victor Trejo - Christopher Duchene - Pierre Tissot - Grady Daub - Chelsea Moore - Angel Martinez - Ben Budde - Aldo Rodriguez - Chris Gautsh - Benjamin Budd - Angel Paredes Drivers & Production Assistants: Patrick Chen - Mikhail Chernikov - Stewart Resmer - Alexander Bragg - Stephen Mitchell - Aido Rodriguez - Ryan Hawk Still Photographer: Simon Briand Special Thanks To: Channing Tatum - Reid Carolin - Sandy Morhouse - Rory Haines - Sohrab Noshirvani - Micah Sherman - Hoke Hokansen - Jill McDermid - Rafael Childress - Jon Darman - Brian Zingale - Remi Liebert Director's cut. April 2013.

From the Future with Love is a sci-fi short film by K-Michel Parandi that has been floating around the internet for a while now and has been sitting in our backlog. The film is about a future where police departments are run by privatised corporations. The police rely heavily on technological support and as a results we see some interesting examples of HUDs and GUIs.

Here’s a closer look at some of these…

Police Suit UI

ezgif.com-optimize.gif
hud.gif
chest.gif

The police suits featured in the short were designed by Ben Mauro, and they were the first thing that caught my attention and made me want to watch the film in the first place. I really love the outward facing display on the helmet visors, which looks like they display a lot of processing information. I not sure of the real purpose behind this since the POV of the police officer is completely different, but visually it’s great. It makes the police officers appear seamlessly integrated with technology. I also love the subtle scrolling billboard that appears on the chest plate. Will there be more clothing like this in the future with animated graphics? I don’t know but it’s an interesting concept.

Drone UI

border.gif
drone.gif
plane.gif

The drone UI is nice and features a lot of real world elements. The arrangement of the layout allows for the key messages to be translated quickly and clearly. I also like when the police officers leave the NYPC area and enter a new jurisdiction, the treatment is simple and believable.

Hacker UI

ezgif.com-optimize (1).gif
tablet.gif

The hacker’s UI is nicely designed and looks distinctly different to the other interfaces in the film. His goggle’s look like it’s displaying source code or in a debug mode of some kind. The touch screen itself is more of a visual interface but it’s one colour and quite bare-bones and glitchy. It all kind of reflects on the character himself and the type of equipment he chooses to use.

Table UI

table.gif

This tabletop interface presents some nice ideas and raises some interesting questions. Having object recognition and providing options relating to specific objects like ‘Refill coffee’ or ‘Fill water’ seems like a good use of an interactive table, it’s very practical and improves service much like passenger seat options on airplanes. Being able to pay a bill unassisted is great too, and using fingerprint verification raises some interesting thoughts. At first glance I thought it was quite cool to have the food scraps and crumbs sit over the table UI as it certainly helps build the illusion of realism but it does raise some possible issues. Mainly that the crumbs in some instances covers the content, not a deal breaker, you’d just brush it away right? But does that register the table input? Does it decrease or increase the tip amount unintentionally if the crumb was sitting there? Does that have an overall effect on the waitress’ tips throughout the year? Obviously it’s all hypothetical in this case but these are some external considerations that need to be thought through when creating UI in a practical setting. This is just a great example of how quick prototypes or future vision videos help validate proof of concepts.

Final thoughts

All in all, I’m constantly blown away at what’s possible with lower budget films. Watching this reminded me of some other Sci-Fi short films we’ve covered in the past (Plurality and Archetype)

I can only imagine what we can expect from independent films nowadays considering what is available to designers now and what one person with a laptop is capable of!

Look forward to seeing more and if you guys are directors or come across any independent Sci-Fi films in the future, please share them with us!